Art is intended to guide society. Our early development as a species was principally based upon art, language and imagination. To our ancestors there would have been no barrier between the real and the imagined.
In the first place ‘Art’ was our sacred science, and the guiding force of culture…
Let me explain….
Cave paintings are some of the oldest forms of art in the world. There are many beliefs as to what they represent; including ideas about hunting and ceremonial rites, to the depiction of contact with extraterrestrial species. However, I have had many remarkable experiences with cave paintings, megaliths and petroglyphs, and this has led me to a conclusion regarding the practical nature of these early means of communication.
While man was developing the power of speech and self-reflection – along side there would have been the development of a stronger need to communicate through other forms such as drumming. It is perfectly possible that cave painting developed out of verbalization
The early experience of man was ‘Band’ culture. This is the form of society that existed before tribal societies grew up. From the beginning these societies were hunter-gatherers, but primarily they would have been nomadic in nature. With the need to hunt comes the need to move around with your prey. In north-west Europe – it is a widely documented fact, that the tribes of the British Isles, had very pronounced migration routes. In particular between Ireland, the north of England and Scotland – the Picts, Celts and the Scots, occupying various different regions throughout history. The prehistory of Britain would likely have been no different. This idea of migration can be extended throughout Europe. During the period just after the building of Stonehenge, for instance it is documented that a culture arose of itinerant Magi. Travelling around Europe with brass conical hats (much like wizards hats) these druids, possessed information regarding the movement of the heavens – knowledge which prior to this point would have been built inherently into the megalithic structures. These events happened upon the entering of the agrarian age, where for the first time societies were focusing more on growing crops and as such had the need to settle in one place for the first time. Prior to this the tribes of north west europe would have been no strangers to migration. The megalithic structures that were built before this time were generally aligned with stars. In fact most ancient monuments have some connection with the heavens. But whatever the nature of the knowledge these Structures were a means of relaying information – art represented a means of communication. But communicating what exactly?
In the first place – the very earliest form of art were handprints on cave walls. These were dated to some 40,000 years ago. Hand stencils have been found in various parts of the world from, Timpuseng cave Sulawesi, Indonesia to Cueva de las Manos located Perito Moreno, Argentina. The earliest known cave paintings/drawings of animals were at least 35,000 years old, these too found in caves in the district of Maros, located in Bantimurung district, South Sulawesi, Indonesia. The earliest figurative paintings in Europe date back to the Aurignacian period, approximately 30,000 to 32,000 years ago, and are found in the Chauvet Cave in France, and in the Coliboaia Cave in Romania.
There are also similar later paintings in Africa, Australia and South America, continuing until recent times in some places. There is a tendency worldwide for open air rock art to supersede deep cave paintings.
However these hand stencils, were more than just a means of self-reflection and self-identification. Rather they were a means of identifying yourself to others. They were a signature to allow others to know who had been present at a specific place at a specific time. People who knew you, would have also know your handprint, and from this your whereabouts. Keeping track of each others movements in this early age would have been of vital importance. This information could have been mapped by leaving these markings. Also the movements and quantity of availability of game – marked in codes known only to the other members of the tribe. This would account for animal depictions seen in some of the earliest paintings.
To some extent there would have been a link to the spiritual side of the existence for the tribe. In as much as these stencils and paintings were a description of their outer world – they would have undoubtedly been also a representation of the inner world. Perhaps visions of prey, hunting and actual places or event were depicted as the same reality. For our ancestors there was little or no separation from the spirit; very different from our postmodernist approach of seeing spiritual practice as something separate from the rest of your life. Early man would have lived in accordance with the spirit – an existence uncorrupted and undivided by the passage of time.
So knowing where your friends family and allies were – would been an essential strategy for survival. I have no doubt – that this ritual became quite a developed science and subsequently an “art”, to the people of the Neolithic period. It would have developed alongside the growth and development of their civilisation. Bringing in more elements of ritualistic practice into sacred space. Making it more a representation of the abstract rather than the physical world. The need to map the outer world becoming less important over time as the balance tipped towards the metaphysical, as man’s success was assured.
But for the early ancestors looking to the stars for guidance – was also a cause and inspiration for how they decorated their world – perhaps they imagined messages from the gods written into the code of the celestial bodies and mapped the heavens as a direct guidance for their well-being and development too.
~ Toltec Warrior
The Shaman has no interest in Politics – Politics is a different system, a different matrix… The shaman practices being one with the Earth Matrix and as such has no time for such things. Which is not to say they cannot look and discuss. But when politics encroaches upon the viability of their livelihood this discussion ends and its time for action – Other than that, what else is there to consider ! ~ Toltec Warrior
A warrior hesitates by means of strategic necessity ~ knowing that he must retain his awareness through sobriety and detachment – in order to regain his balance and to determine his direction ~ a warrior considers the path with heart…
~ Toltec Warrior
A warrior is never without reason!
to live by reason alone is what makes the average man.
…But to abandon reason altogether and to rely solely on will is pure folly…
To live a balance between these two elements – through judgement of the heart is excellence!
…living a heart centred life – Key!
~ Toltec Warrior
THE INORGANIC BEINGS ~
“The old shamans discovered that the entire universe is composed of twin forces, forces that are at the same time opposed and complementary to each other. It is inescapable that our world is a twin world. Its opposite and complementary world is one populated by beings that have awareness, but not an organism. For this reason, the old shamans called them inorganic beings.
I told you that it’s our twin world, so it’s intimately related to us. The sorcerers of ancient Mexico didn’t think like most do in terms of space and time. They thought exclusively in terms of awareness. Two types of awareness coexist without ever impinging on each other, because each type is entirely different from the other. The old shamans faced this problem of coexistence without concerning themselves with time and space. They reasoned that the degree of awareness of organic beings and the degree of awareness of inorganic beings were so different that both could coexist with the most minimal interference. ”
“The inorganic beings who populate our twin world are considered, by the sorcerers of our lineage, to be our relatives. Those shamans believed that it was futile to make friends with our family members because the demands levied on us for such friendships are always exorbitant. That type of inorganic being, who are our first cousins, communicate with us incessantly, but their communication with us is not at the level of conscious awareness. In other words, we know all about them in a subliminal way, while they know all about us in a deliberate, conscious manner.
The energy from our first cousins is a drag! They are as messed up as we are. Let’s say that the organic and inorganic beings of our twin worlds are the children of two sisters who live next door to each other. They are exactly alike although they look different. They cannot help us, and we cannot help them. Perhaps we could join together, and make a fabulous family business corporation, but that hasn’t happened. Both branches of the family are extremely touchy and take offence over nothing, a typical relationship between touchy first cousins. The crux of the matter, the sorcerers of ancient Mexico believed, is that both human beings and inorganic beings from the twin worlds are profound egomaniacs.
Another classification that the sorcerers of ancient Mexico made of the inorganic beings was that of scouts, or explorers; that is, the inorganic beings that come from the depths of the universe, and which are possessors of awareness infinitely sharper and faster than that of human beings. The old sorcerers spent generations polishing their classification schemes, and their conclusions were that certain types of inorganic beings from the category of scouts or explorers, because of their vivaciousness, were akin to man. They could make liaisons and establish a symbiotic relation with men. The old sorcerers called these kinds of inorganic beings the allies.”
“The crucial mistake of those shamans with reference to this type of inorganic being was to attribute human characteristics to that impersonal energy and to believe that they could harness it. They thought of those blocks of energy as their helpers, and they relied on them without comprehending that, being pure energy, they didn’t have the power to sustain any effort.
I’ve told you all there is to know about inorganic beings. The only way you can put this to the test is by means of direct experience.”
Extract from “The Active Side of Infinity” by Carlos Castaneda
- Carlos Castaneda: What is Fake? (talesfromthelou.wordpress.com)